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Name: Violet Razor

Born: Southwark, London, England, January 10th, 1959

Died: London, England, January 10th, 1985

 

The night Violet Razor was born, the snow in Southwark, London had reached drifts of up to 50 centimeters deep. The cottage she was born in had been abandoned, with no electricity or running water. Candles lit the inside of the cottage on Old Kent Road as Violet’s mother, Ariel, an erotic artist and diamorphine addict, squeezed Violet Reznick out of her womb. The moment the infant Violet emerged from the warm, darkness into the cold, harsh world she would come to know, Violet began to scream, and she didn’t stop until she was killed with a whisper exactly 27 years later.

 

The first sensation Violet felt, excepting the cold that engulfed her at the moment of birth, was the scorching heat from a set of candles and hot wax when her Mother’s pimp dropped her on the floor attempting to separate her from her Mother by chewing through the umbilical cord. Her pimp, an associate of George Cornell, infamous gangster and underground pornographer, ignored the child and completed his work. He had birthed many children, but had never experienced one he didn’t have to spank to clear out the lungs. Violet’s Mother collapsed in exhaustion as the pimp lifted the baby and took her to a smaller, adjoining room in the cottage. He gently cleaned her, studied her face curiously and realized that Violet was special. He almost hesitated to hold her to his chest, having never experienced the glow of such a special child. But, he could get the girl’s Mother back to work much sooner without a child getting in the way, special or not.

 

The pimp gently pressed Violet’s face into the plump area where the shoulder meets the chest. When the baby seemed to fall silent, attempting another breath but receiving no air, the faint sound of “Who’s Sorry Now” by Connie Francis drifted in through one of the broken windows. When he was almost certain the child must be dead, he lifted her limp body from his. She was no longer breathing. From behind him, a scream of rage shattered the silence as Violet’s Mother, straight razor in hand, sliced her pimp’s throat, bathing the three of them in the geyser of blood that spewed from his severed artery. Violet landed on the cold, wooden floor, and gasped, able to scream again. The pimp’s body slumped nearby. And thuis Violet Reznick, was brought into this world.

 

Violet and her Mother survived the night, huddled against the pimp’s cooling body. The next day, her Mother visited George Cornell, explaining what she did and why she did it. George, after beating Violet’s Mother in places she wouldn’t bruise, inspected the baby, much as the pimp had, and held her close to him. Not to smother her, but because he could tell she was a very special child. And so, in the first and only show of mercy George Cornell ever gave, he allowed the Mother to leave, but only under the condition that she and the child return once a week until he was able to put her Mother to work.

 

Her Mother did as she was told, and when it was time to work, it was time to work. Violet’s life in earnest began. Old Kent Road, it was certainly agreed, was no place to raise a child; Violet was no exception. From the earliest age she bore witness to acts of depravity, common in the London criminal underworld. However, Uncle George, as he had become known to her, would viciously attack anyone who even dared suggest the child participate in any of these acts. Although exposing her to a life no child should ever know, he protected her from the elements that surrounded them, until shortly after her seventh birthday when Ronnie Kray shot and killed him in Whitechapel, taking over all of his interests, including Violet and her Mother. The Krays, Ronnie and his twin brother, Reggie, had no interest in protecting the child, and considered greater profit to be found in allowing her to participate in those same depravities she had only witnessed until now.

 

Violet’s Mother made a deal with them that she would give twice her normal percentage to them if they would leave Violet alone. They agreed. When The Krays were arrested, shortly after Violet’s ninth birthday, her Mother was arrested as well, along with fourteen other members of the gang. Violet was then taken in by Eloise Gustav and Hermione Trumble, two of the last remaining members of the Elephant Gang, and not by any sign of altruism on their part. The two of them attempted to instruct Violet on the finer points of fingersmithing, dipping, and running the grift. Despite Violet’s finesse and natural talent at criminal activity, especially from one so young, Eloise and Hermione would always find some small criticism, and follow their critiques by abusing Violet both physically and verbally, calling her “The Ugly Bitch” and “Stupid Sow”. Shortly after her tenth birthday, Eloise and Hermione decided that Violet should follow in her Mother’s footsteps.

 

The first time Violet made any money for The Elephant Gang, the faint sound of “Venus in Furs” by Lou Reed drifted in through one of the broken windows. And thus Violet Reznick’s life would continue until shortly after her 13th birthday, when Eloise and Hermione were killed in a fire started in the pub beneath their flat. An arson investigation was conducted, but remains a mystery. Violet was working, in the way that she’d been taught, the night of the fire. However, on this night, at the first second in which her client was finishing his business, she told him to open his eyes. A short second after he did as he was told, her Mother’s straight razor glistened in the moonlight, and sliced through the soft gelatin of her client’s right eye. He had no time to fall away as he was shoved to the ground, the straight razor obliterating his left eye. She watched as he writhed on the floor, screaming and clutching his face; she studied him, intently, as the man clawed at his oozing sockets.  The faint sound of “I Am Woman” by Helen Reddy drifted in through one of the broken windows as Violet mercifully ended his suffering. And thus Violet Razor was born.

LINER NOTES

ALBUM: TASTE THE RAZOR

BAND: VIOLET RAZOR

YEAR: 1999

AUTHOR: JIMMY D’AMICO

 

When Violet Razor’s publicist asked me to write the liner notes on my own album, I said, “Dude...what am I gonna write?” And he said, “How did you come up with the name Violet Razor?” Okay, I can do that. There’s this urban myth that tells about this groupie chick...I guess she wasn’t really a groupie as much as she was a muse. If you look at old photos of the punk scene in London around 1976, you can spot her in the background. She always had this, “I hate the world” kind of look on her face, right? Every photo, every background, every party, every gangbang, every...she was there. That was Violet Razor. So, whenever we moved the band to the East Village and started playing CBGB’s, I started asking around. We weren’t called Violet Razor then, of course. We were called “Bareback Knuckleride”. But I started asking around some of the old guys who had been on the scene in London back in the day. Turned out, everyone knew Violet Razor, but when they talked about it, they kind of whispered. I asked Hilly Kristal first, showing him a photo from Shane McGowan’s Bondage magazine. He looked around and whispered, “That’s Violet Razor”. That’s the day we changed our name.

 

So my publicist says one paragraph isn’t enough, so he was like, “Write more.” And I was like, “Write what?!?” And he said to tell you who Violet Razor was. So okay. You asked for it. Violet was the girl behind the scenes. She was tatted up hardcore, apparently to cover a birthmark or burn or something. Not only that, but she couldn’t stand to look at herself, right? Apparently, she was a model of self loathing...real nihilism...she felt that the punk scene didn’t go far enough with its intent. Dark shit, right? According to a bunch of the guys I talked to, she was at the Lesser Free Trade Hall when The Sex Pistols were playing, and she was waiting for the band to exit the stage. She had carved the words “Ugly Bitch” into her bare chest. When Johnny Rotten passed by, she shoved his face between her tits and screamed, “Eat me, Faggot!!!”. They also said she chewed off Wendy O. Williams left nipple and swallowed it. I called bullshit the first time and they just looked at me with their eyebrows raised like, “Kid...they’ll play Pat Boone at my fu**in’ funeral the day I lie to you about that.” So yeah...Violet Razor literally tasted blood, she lived the life...she WAS punk rock back in the day. Lou Reed told me a few weeks ago that he didn’t know it when he wrote it, but Violet Razor was Jenny from “Rock And Roll”, she was Sweet Jane, she was Femme Fatale...she WAS Femme Fatale. When he told me this, he smiled sadly, but then again, Lou Reed always smiled sadly.

 

Dammit Reggie! If being a pain in the ass were grounds for termination I’d have fired you eight years ago. You wanna know who Violet Razor really was? Fine. A few years ago I was having drinks with Cheetah Chrome from The Dead Boy’s (not to name drop...but...whatever), and I was asking about Violet. He sits straight up, and I swear to God, just like Hilly, he looks around. He says, “Okay, you little shit, you really want to know about Violet?” I didn’t know if I should say “yes” but he just continued anyway. He said Violet wasn’t just a muse or some zealot for punk rock...she was a goddamn serial killer. I tried to laugh it off.

Violet razor

The Murderous

Punk Muse

He didn’t laugh. He said he only knows this through a guy who knew a guy and so on, but he said every guy in the chain is credible...no bullshit. The story goes that she’d bang anything that moved, right? She dug sex. Can’t fault a girl for scratchin’ that itch. But the really special guys, these guys who dressed like them and talked like them and liked to slap the girls around and really rough ‘em up before going home to the Loughten suburbs over in Essex...those special kind of guys who belonged with us much as Tom Jones belongs with Rollins, they were just her type. And then he stopped and looked around again.

 

When he continued he said, “When she picked one of them blokes, it was an honor, wasn’t it?” See...she was the Queen of the underground, she was Little Suzie, and if you got picked by Little Suzie, it was an honor. So they’d go back to her place, this little cottage on Old Kent Road, and they’d do the thing, and sometimes the guy would beat her while he was having at her, or try to choke her out, or whatever sick shit that got them off. But right when they finished she would slash their eyeballs open, screaming at them not to look at her, and cut their throats. She’d chuck them in the Neckinger River where all the other industry nearby dumped their garbage. And that was Violet Razor. You ask some people, it wasn’t Sid killed Nancy...he was just too out of it to defend himself. Violet Razor killed Nancy, and she didn’t blink an eye when she did it.

 

I tried to laugh but it came out as a dry cough. He stared right into my eyes and told me the truth about our band’s namesake. By now we were a good few pints in but the mood was as sober as I’ve ever been. He says after punk kind of moved on to the new age, Violet kept living like it was 1976...she’d come to the clubs, the old hangouts, and scream at the new wave bands. She’d throw bottles at them, and slap the bands girlfriend’s...or boyfriend’s...whatever...she’d slap them around in the bathroom. She got up on the stage one night, and she tore her shirt open. She’d carved the words, “Not Enough” on her bare chest...it was just like the Lesser Free Hall Story, but it was “Not Enough” instead. And every once in awhile, she’d take one of these punk bastards, leftovers like she was, and they’d go to the cottage, and he’d end up in the river and she’d end up the next night, somewhere else...this, shadow of the past, fighting to stay relevant, trying to still be a muse to a new generation who just didn’t give a shit.

 

I asked him what happened to her. He leaned in especially close...that he was speaking in especially hushed tones gave me the chills...my grandma used to call it chicken skin. See, most guys would tell me they didn’t know, or that she’d just drifted off the face of the earth, like the shadow of the past she was had finally faded into the gray. Cheetah told me different. Cheetah told me that one night, early January, 1985, during a snowstorm that created drifts of up to 50 centimeters deep, Violet brought a man to her house. Another sad shadow, like she was...this real tough bastard from back in the day, and she asked him if she knew what the French called an orgasm. He said he didn’t know. She told him it was called, “Le Petit Morte”...the little death. He said he could see why...he said people look like they’re dying when they have an orgams...faces contorted, eyes wide, mouth agape. She suggested they die together that night, she and this bloke, to the last thrust. And so they did. But this time, when the guy was just at the start of his climax, he leaned into her and whispered, “You were right...it was never enough.” By the time she’d brought the razor down on him, slicing deeply between his shoulder blades where the neck meets the back, he’d bitten through her throat, chewing away at her carotid, finishing up inside of her the entire time. Violet Razor died underneath him. Violet Razor ended up in the river.

 

I couldn’t speak for a moment. When I did, I asked Cheetah quietly how he knew that’s what happened to Violet Razor. He held a finger up to his lips and went, “Shhhhhh.” He got up, went to the bar, and paid for the drinks. I got up more slowly and went to the bar to thank him for the drinks, and as I neared him, I noticed a deep, thin scar along the bottom of the back of his head, disappearing under his collar and into his shirt. We walked outside and waited for a cab, silent for a moment. He then went on to tell me that he never told me the scariest part of this story. I told him if I hadn’t heard the scariest part then I’d just as soon he not say anything else until he got into the cab. He kind of chuckled and mentioned that from time to time he’ll get one of the London papers from his Aunt or Mum or someone, and every once in awhile he’ll read stories about the area around Southwark. Most of them had to do with some rapist or woman beater or one of them Old Kent Road geezers who would only make the papers by doing something awful. They’d have just gotten out of jail for whatever it was they did, maybe a week or two before, and they’d be found with their eyeballs slashed open and their throats cut. Always the same...they call him “The Razor Phantom.” “But we know better, don’t we?” Cheetah asked as he stepped into the cab and rode off into the darkness.

 

I never asked about Violet Razor again. Not from anyone. Ever. My publicist asked me, “If you could talk to her, if she was this ghost or phantom or whatever, what would you say to her?”

 

I looked him in the eye and I told him…

 

Did we do enough, Violet? Did we do enough?

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